In “Conjectures on World Literature”, Franco Moretti
advocates “distant reading” which is the analysis of literature not by studying
particular texts, but by aggregating and analyzing massive amounts of data. The
analysis uses a computer to quantify text in order to see trends on a global
scale that are not visible through close reading enabling scholars to trace global
sweeps of forms and influences in literature.
For Moretti, distance “is a
condition of knowledge: it allows you to focus on units that are much
smaller or much larger than the text: devises, themes, tropes—or genres and
systems. “ The Conjunctures article
spawned many conversations and counter arguments, some of which were addressed
by Moretti in “More Conjectures”.
As mentioned in class, Paige Morgan’s Visible Prices project appears to be “distant reading” in action. “Visible
Prices (VP) is a searchable database of literary and historical economic
information compiled from novels, poetry, newspaper advertisements, ledgers,
trade periodicals, and other literary or historical records. It’s designed to
take advantage of the massive influx of historical material coming onto the
web, and make it more useful. If you’re reading Charlotte Bronte’s Jane Eyre, and you see that Jane is
offered £30 annually as salary to become Adele’s governess, the sum of £30 is
basically meaningless. But what if you could search, and find out everything
else from around 1847 that cost £30? This type of search would also allow you
to start seeing how literary authors were using prices in their works — whether
novels, poems, or plays.”
While looking for an illustration for this post I found
many literature and intro to DH syllabi with “distant reading” projects built
into the curriculum using tools such as Voyant
Tools, which displays results through text and displays statistical
information for a text and ManyEyes, which
provides numerous visualization options to best highlight the important trends
in a work. I was thinking of “distant
reading” as a new concept but since its inception in 2000, has “distant reading”
become part of the standard literature pedagogy? I’m wondering if you have used
it in your own studies or are currently introducing undergraduates to the
practice—or is it still considered a theory without practical tools?